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J.S. Bach
BWV244 O Haupt Voll Blut Und Wunden
doctorandrewtam
0:53 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
amp;
Alto		 Treble 11 0 1 4 100%
Tenor
amp;
Bass		 Bass 16 0 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
amp;
Alto		 Treble 11 0 1 4 100%
Tenor
amp;
Bass		 Bass 16 0 2 4 100%
 
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.
Gertim
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 0 6 100%
T B Bass 15 0 2 5 100%
 
Air on the G String
Baconator NoVeg
4:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Mellophone
1		 Treble 14 0 5 9 100%
Mellophone
2		 Treble 18 0 4 6 100%
Mellophone
3		 Treble 11 0 2 6 100%
Trombone Bass 25 0 8 3 100%
 
292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 15 0 2 5 50%
 
25. Auf meinen lieben Gott, J.S. Bach, BWV 148.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 4 100%
Treble 12 0 2 4 100%
Bass 15 0 3 5 100%
Bass 15 0 3 5 100%
Soprano/Alto Treble 12 0 2 4 100%
Tenor/Bass Bass 15 0 3 5 100%
Contrabass Bass 11 0 2 3 50%
 
8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
Bass 18 0 3 2 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 13 0 2 2 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 11 0 2 2 50%
 
8. Der lieben Sonne Licht und Pracht, Schemelli, Bach, choir setting: SATB, BWV 446.
SDG
0:59 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 15 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 15 0 2 3 100%
 
19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.
SDG
0:41 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 19 1 4 6 100%
Bass 19 1 4 6 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 19 1 4 6 100%
Contrabass Bass 15 0 2 3 50%